Archive for the ‘D'Artagnan’ Category

D’Artagnan Show for ICBIE Theater

Saturday, June 12th, 2010

Private D’Artagnan show in Rome

Last night at the Mocobo Cultural Center in Rome, Pietro held a special private showing of selected artworks by Ele D’Artagnan (1911-1987), “the painter of the Dolce Vita,” in order to raise funds for the burgeoning ICBIE Theater Project.  Besides original artworks, the show also contained beautiful life size reproductions of the D’Artagnan pieces that Pietro sold to the Museum of Modern Art (MOMA) at the very beginning of the ICBIE adventure.

Between 4 and 9 PM, there was a steady stream of dear friends and staunch supporters of the ICBIE cause, including the architect Andrea Gandolfi, who came from Bologna to explain his design plans for our future theater, our indefatigable friend Alberto Maganzini, who came all the way from Trento, the eminent musicologist Mario Bortolotto and even our dear friend Mary Norris from New York.

Best of all, four original paintings and a good number of prints were sold, and this couldn’t have come at a better time, seeing as next Tuesday a team from the Howard University chapter of Engineers Without Borders will be arriving in Salvador to make their final plans for the construction of our theater.  More on that in the coming days!

Mario Bortolotto with Pietro and Monica

Private D’Artagnan show in Rome

Private D’Artagnan show in Rome

Private D’Artagnan show in Rome

Private D’Artagnan show in Rome

Loona at the Bar

Private D’Artagnan show in Rome

Private D’Artagnan show in Rome

A Special Invitation to ICBIE Friends in Rome

Saturday, June 5th, 2010

Private D’Artagnan show in Rome

Next Friday, June 11th, from 4 PM to 9 PM, there will be a special event for all our friends in Rome.  Pietro Gallina will give a first-ever private showing of selected works by Ele D’Artagnan (”the painter of the Dolce Vita”) and offer a limited number of signed reproductions of the D’Artignan works that were purchased by the Museum of Modern Art (MoMA), along with a bargain sale of thirty original drawings, with all proceeds going to the construction of the ICBIE theater in Salvador de Bahia.

The appointment is at the MOCOBO Cultural Association, via P. Matteucci 98.

D’Artagnan in Berlin?

Friday, June 19th, 2009

Special thanks to our good friend Gesa Chomé for this exciting news regarding Pietro’s efforts in Germany.

After the very successful presentation of  the pictures of D’Artagnan by the MOMA in New York and by the Italian Institute of Culture together with the Fil museum in Amsterdam, it is now envisaged by the Management Board of  the ICBIE  to organize a multimedia presentation in Berlin.  Therefore, the director of the ICBIE, Pietro Gallina, was in Berlin from the 11th to the 14th of June in order to discuss this project with the director of the Italian Institute of Culture, who was very interested in this project and agreed  to  organize it at the end of the year.  And, as has already been done in Amsterdam, in order to show the multi-talents of D’Artagnan as a painter and an actor, Mr. Gallina intends also in Berlin to show a choice of his films, especially the films of Federico Fellini, who was a very close friend of D’Artagnan. The famous Berliner Filmmuseum Potsdamer Platz would be the best place for that, and first contacts have been made with their management board.

Filmmuseum

Finally  Pietro Gallina contacted several galleries in Berlin for the preparation of the exposition of the paitings.

Naturally  some time was spent for tourism, especially the Brandenburger Tor,

Brandenburg Gate

the Reichstag and the Holocaust Museum.

Holocaust Museum

And also for new youth exchange projects with young Spanish migrants in Berlin

Spanish students in Berlin

and with alternative city transportation projects run by students.

Alternative transportation

Berlin with it’s very special history and where more than hundred languages are spoken offers a lot of possibilities for cooperation which should be explored over time.

THE GRAFFITI  OF THE BERLIN WALL

During his visit in Berlin, Pietro Gallina was confronted with the preparations for the 20th  anniversary of the fall of the wall (9 November 1989). He got the occasion to see the photos of his friend Gesa Chomé (Berlin), who took pictures of the most famous graffiti in the years before 1989 (which all disappeared when the painted parts wall were cut into pieces and sold all over the world).  And as Pietro Gallina is deeply involved in the “Youth graffiti project” of the City Council of Salvador da Bahia, he spontaneously decided to plan an exposition of the wall paintings of Berlin in the ICBIE in Salvador.  Naturally, for the historic date of 9th November.  For this common project, Gesa Chomé showed him the “East Side Gallery,” which is a real part of the wall (about 250 m!) covered with marvellous graffiti painted after 1989 (ph 7) and the “Wall museum” where the whole history of the Wall  is shown.
East Side Gallery

Wall Museum

The President’s “State of the ICBIE” Address

Tuesday, January 27th, 2009

 Mutirão Poster

(English translation below)

L’inaugurazione del Progetto Oficina di Rua

E’ con grande piacere che vorrei dare un annuncio finalmente positivo per il Progetto D’Artagnan Scuola Internazionale di arte e lingue dell’ICBIE, informando sia la nostra comunità locale che quella che ci segue fuori del Brasile: il Comune di Bologna in collaborazione con l’ARCI Solidarietà di Reggio E., con il Progetto Salvador Grafita della Prefeitura e noi dell’ICBIE, ha sovvenzionato un piccolo progetto! Si tratta della prima sovvenzione pubblica in assoluto, anche se di piccola entità, dopo quattro anni di intenso e faticoso lavoro senza nessun riconoscimento economico pubblico! Evviva! Speriamo che sia un segnale anche in tempi di recessione, che voglia significare l’inizio di una fase più armonica, organizzata, pianificata senza dover stare sempre col batticuore di “come faremo an andare avanti il prossimo mese…?”.
Penso sempre a D’Artagnan che nei momenti più brutti ci salva con una vendita di suoi quadri, ma soprattutto agli amici e a tutti quei sostenitori solitari, come pure alle associazioni e gruppi come l’ICBIE-Italia, Bridge to Bahia dell’AOSR, le maestre delle scuole elementari di Bassano del Grappa  e Verbania, la Scuola Media Statale  Moscati e il Liceo Socrate di Roma, la Lahn Artists di Limburg, la Arps Gallery di Amsterdam, la bella comunità di Spagna (Vero, Celeste, Jorge e Ivan), gli  EWB della Howard University, Rhythm of Hope Brazil, il gruppo Toby, Mary, Kate, Lee di NYC, Reggio Terzo Mondo, Buskers Festival di Ferrara, Jazz bar di Modena, agli artisti intorno a Guido Daniele di Milano e di Alberto Maganzini di Riva del Garda Trento, all’APA di Palermo etc etc. etc. (e mi scuso per chi sto dimenticando), che hanno creduto e credono in questo progetto e continuano nei casi estremi, come quello della recente raccolta che ha quasi superato i 10000 Euro (se alcune promesse saranno mantenute al 31/01), a rendere possibile il nostro lavoro per la comunità dei quartieri economicamente e culturalmente meno fortunati di Salvador di Bahia. Un grande ringraziamento ancora e sempre per questo bel risultato che ci permetterà di cavalcare il 2009 e riaprire i corsi che si era deciso di chiudere.

E allora in che cosa consiste questo progetto approvato in Emilia Romagna? Intanto ha un nome e si chiama Oficina de rua, e non è un progetto che riguarda solo Salvador ma prevede operazioni  simili da svolgere in altre due città del Nordest, Recife e Fortaleza. Poi questo megaprogetto coinvolge per altri versi anche altre città del Brasile con altre associazioni, ma non dobbiamo qui spiegare le sue articolazioni. L’idea di presentare  il progetto è nata a Reggio Emilia in un incontro all’ARCI Solidarietà tra lo scrivente,  Riccardo Faietti, Giulia Bassi e l’artista di rua baiano, Julio Costa.

Per andare subito al sodo il progetto prevede che noi dell’ICBIE per un anno dobbiamo offrire corsi di formazione professionale, i quali in parte saranno già attivi e in parte completamente nuovi da organizzare  per una 40 di ragazzi, con a capo dei coordinatori: gli artistas de rua, probabilmente Julio, Bigode, Marco, Fabio e Jodson (?). Si devono insomma preparare altri operatori sociali di intervento nei quartieri a rischio, per fare in un secondo momento del progetto lavori artistici con i ragazzini di strada in modo continuo e sistematico. Come appunto il primo gruppo storico sopra menzionato aveva tante volte svolto saltuariamente e in forma spontanea nelle strade del povero bairro di Massaranduba. Per questo il titolo di Oficina de rua ovvero tentare con disegno, graffiti, ceramica, musica e giochi di togliere tanti bambini dal pericolo e dalle tentazioni di copiare gli atti violenti e degradanti compiuti dagli adulti alla cui vista sono costantemente sottoposti nelle strade della miseria. Un progetto dunque che prevede un lavoro interno di preparazione nell’Istituto e poi rimanere base con le nuove squadre di intervento create quando si entrerà in azione nei luoghi più delicati dei quartieri difficili nella seconda metà del 2009.

Per tentare anche un continuo contatto con il territorio di intervento si dovranno organizzare alcuni mutirões ovvero feste di quartiere con musica, danze, cibi locali, disegnatori e pittori, imbianchini e operai in genere che possano abbellire e aggiustare qualche facciata fatiscente. Tutto ció per facilitare un contatto con la comunità propria di quel quartiere o di un altro, seguito dall’intervento direzionato agli incontri d’insegnamento negli stessi luoghi con i bambini di strada.

Per questo abbiamo voluto cominciare con un mutirão lo scorso sabato! Lo abbiamo pensato, non previsto dal programma del progetto a gennaio, come un’inaugurazione per cominciare a spiegare già da subito che cosa faremo durante l’anno. Lo abbiamo spiegato agli stessi artisti di rua, alla comunità locale che ha accettato gli interventi, ai musicisti e cantanti, ai cuochi. Quello che è accaduto il 24 gennaio scorso è stato straordinario! Nessuno in questa forma organizzata e differente lo aveva fatto mai. In genere erano stati alcuni isolati ed eroici artisti passati per alcuni momenti e poi scomparsi come angeli per andare in altri quartieri a spargere un poco di colore, di suono, di cibo, di felicità e di speranza: solo un assaggino di quello che dovrebbe essere invece quotidianamente compiuto per convertire la speranza di molti in reali possibilità di prepararsi  con lo studio e la volontà di apprendere un mestiere: in conclusione avere strumenti critici, di coscienza, sentirsi parte della società, senza più complessi di inferiorità o di esclusione, pronto a partecipare con tutti senza disparità ad una vita migliore per una società migliore.

Dimenticavo di dire che questa inaugurazione del progetto Oficina de Rua è coinciso con alcuni aniversari: uno di Julio Costa e un altro di alcuni anni di attività del nostro grande fotografo Paranaguà.

Pietro Gallina

Mutirão

Mutirão Mutirão

Mutirão Mutirão

The inauguration of the Street Workshop Project

It is with great pleasure that I finally make a positive formal announcement for the D’Artagnan International School of arts and languages at the ICBIE, informing both our local community and our followers outside Brazil: the City of Bologna, in collaboration with ARCI Solidarity of Reggio Emilia, together with the Salvador Grafita Project of the city government and the ICBIE, has underwritten a small project!  This represents absolutely the first public support, however modest, after four years of intense and exhausting work without any public economic recognition.  Hurrah!  We hope that this is a sign, even in times of recession, that signifies the beginning of a more harmonious, organized and better-planned phase, without always the palpitations of “how are we going to make it through next month…?”

I always think of D’Artagnan, who, in the worst moments, has saved us through the sale of his paintings, but above all, I am grateful to all the friends and to all those solitary supporters, as well as the associations and groups, such as ICBIE-Italia, Bridge to Bahia at AOSR, the elementary school teachers at Bassano del Grappa and Verbania, the Moscati State Middle School and the Socrate High School in Rome, the Lahn Artists of Limburg, the Arps Gallery in Amsterdam, the great group in Spain (Vero, Celeste, Jorge and Ivan), the EWB of Howard University, Rhythm of Hope Brazil, the friends Toby, Mary, Kate, Lee in NYC, Reggio Terzo Mondo, the Buskers Festival of Ferrara, the Jazz bar of Modena, the artists in the circles of Guido Daniele in Milano and of Alberto Maganzini at Riva del Garda Trento, the APA in Palermo etc etc. etc. (and I beg the pardon of anyone I have forgotten), who have believed and who continue to believe in this project, always there in the emergencies, as with the recent fund raising drive that has just about reached the goal of 10000 euro (if all the promises are met before January 31), making possible our work for the community of the economically and culturally less fortunate people of Salvador de Bahia.  A huge thank you once again for this splendid result, that will help us to operate during 2009 and re-open the courses that we had decided to close.

And so what is this project that has been approved in Reggio Emilia all about?  First of all it has a name, and it’s called Street Workshop, and it isn’t a project that concerns only Salvador, but plans similar operations to be put in action in two other cities of the Northeast, Recife and Fortaleza.  Furthermore, this mega-project involves others cities of Brazil in various ways, with other associations, but we don’t have to get into those details here.  The idea for the whole project was born in Reggio Emilia, during a meeting at ARCI Solidarity between the undersigned, Riccardo Faietti, Giulia Bassi and the Bahian street artist, Julio Costa.

To go immediately to the heart of the matter, the project calls for us at the ICBIE to offer courses for professional formation, some of which are already active and others that are completely new, to be organized for about forty youths, led by coordinators:  the street artists Julio, Bigode, Marco, Fabio and Jodson (?).   They basically have to prepare other social workers for tasks inside risky neighborhoods, preparing the ground for the second phase of the project, continuous and systematic artistic activities with the street kids.  This is only an expansion of the work already done spontaneously in the streets of the poor Massaranduba district by the core group of artists listed above.  And hence the title Street Workshop, meaning the attempt, through drawing, graffiti, ceramics, music and games, to save many children from danger, and from the temptations of copying the violent and degrading acts that are committed by the adults, acts that children constantly view in the miserable streets.

This is a project that therefore requires preparatory work within the Institute, which will then remain a base for the newly created intervention teams, when they will get into action in the most insecure parts of the difficult neighborhoods, in the second half of 2009.

In the attempt to form a continuous contact with the project’s territory, it will be necessary to organize several mutirões, or street parties, with music, dance, traditional food, drawers and artists, painters and simple workers, who can beautify and even repair the odd decrepit housefront.  All of this serves to make a contact with the real community of one area or another, followed by the focused intervention, aimed at educational meetings in the same locations with the street children.

And therefore we wanted to start with a mutirão last Saturday!  We thought it could be a sneak preview, anticipating the planned calendar, acting as an inauguration, to immediately begin to explain what we will be doing during the entire year.   First we explained everything to the street artists and to the local community, who agreed to the idea, and to the musicians and the singers, to the cooks.  What actually happened on the 24th of January was extraordinary!  No one ever attempted anything like this, all organized but all new.  Usually there were a few isolated and heroic artists who passed by for a few moments and then disappeared like angels, to go to other neighborhoods to share their warmth, their sounds, food and happiness, and hope:  only a little taste of what should instead be a daily fare, provided to transform hopes into real chances, to prepare the children with studies and instill in them the desire to learn a skill:  in conclusion, to give out critical tools, to form a consciousness, to make the children feel like a part of society, without inferiority complexes or barriers, ready to participate with everyone, without disparity, for a better life and for a better society.

I shouldn’t forget to mention that this inauguration of the Street Workshop project also coincided with a birthday and an anniversary: the first was Julio Costa and the other celebrated the beginning of the activity of our great friend, the photographer Paranaguà.

Pietro Gallina

(more photos will be posted soon!)

Mary’s News from New York

Monday, July 7th, 2008

MOMA

Pietro arrived at JFK at dawn on Tuesday, July 1st. On Wednesday afternoon, he met Toby and me in the lobby at MOMA to view the beautiful work of D’Artagnan in the group show called “Glossolalia.” On entering the third-floor gallery, Pietro had the face of a delighted child. He was so moved at the triumph of his friend. Ele D’Artagnan is identified on the wall label as Michele Lombardi-Toscanini. Eviva!!! If ever an occasion called for prosecco, this was it! So we indulged.

Today is the last day of the exhibit at MOMA, and Kate, Toby’s sister, arrives in New York from Chicago, just in time. It was Kate who first encouraged Pietro to bring D’Artagnan to New York and find a gallery. So it is her triumph, too. Pietro is now working toward a show in Venice in 2011 to mark D’Artagnan’s hundredth birthday, in the city of his birth.

Pietro views D’Artagnan at MOMA

Toby at the MOMA  Mary Views D’Artagnan at MOMA

D’Artagnan MOMA

Pietro Pours the Bubbly in NY

A Flurry of Comings and Goings

Monday, June 30th, 2008

It’s that time of year; schools are out in the northern hemisphere, and it seems like everyone is flying all over the world, despite the economic pinch and stratospheric fuel costs.  Just to keep track of everyone is quite a task!

ICBIE President Pietro Gallina, after his brief stay in Salvador in the wake of his long European tour, is flying to New York today, for a two week stay.  Right off the bat, he will certainly go to the Museum of Modern Art to see the D’Artagnan painting hanging on its walls; he will also be seeing Kerry at KS Art in Tribeca, to collect some hefty sums from the sale of the maestro’s works; and he will be able to reconnect with Toby and Mary, our faithful supporters in the Big Apple.

Marlene returned to Salvador last night, after her well-deserved month long vacation in Rome, Paris and Barcelona.  She will immediately take up the reins while Pietro is away, and all her Italian students will undoubtedly be happy to get back to their lessons.

A wonderful new ICBIE volunteer, Louise Audette, arrived last week, and today she will begin her English courses.  Louise is a teacher at the American Overseas School of Rome, which has already provided us with three other teachers, Rosa de Bellis, Michelle Falcinelli and Daniele Dattilo, as part of its Bridge to Bahia project.  Louise’s enthusiasm and charming smiles will certainly inspire our students and help them to build useful language skills, and we thank her in advance for her expertise.

ICBIE artist Julio Costa is still in Spain, staying with Celeste and Veronique.  They all spent the weekend on the Costa Brava, enjoying the hospitality of our volunteer Lorena, who allowed them to use her family’s beach house.  After months of rain and cool temperatures, warm sunshine allowed him to fully enjoy the pleasures of Catalunya. Julio has another couple weeks to enjoy his European adventures, before flying back to Ribeira.

Our faithful Bogus (who can rightly claim to be our finest Italian student) is also preparing to embark on his second trip to Italy.  With the precious help of Sandro, a retired Alitalia pilot, he was able to get a big discount on his plane ticket, which will take him to Rome on July 17th.  He will stay with Sandro and his wife Yvonne, and will try to enroll in a technical school, to keep him busy during an extended stay.  Although we will miss his smiles and his many services around the ICBIE, we wish him a lot of luck for his new adventures.

D’Artagnan at the MOMA: A Testimonial

Saturday, March 29th, 2008

Ele D’Artagnan

When the news of D’Artagnan’s work at the Museum of Modern Art broke yesterday, it unleashed an real tsunami of enthusiasm across the whole ICBIE community, with a flurry of triumphant and congratulatory emails flying around the globe. In New York, our stalwart friend Mary Norris went straight from work to the museum, to verify the news. Here is her report!

YES! D’Artagnan is there! It is a deep, lush, purple painting, full of his signature trees and veins and leaves and flames and beads and seeds, with a gingerbread house and triplets. And toes, of course. It hangs low, which suits it, because of the toes and because one of the flower shapes in the background (though there is no background, really–that’s one of the things about him) looks like sea anemone, waving. You have to crouch to get a good look at it, and people do. It’s in very good company. On the way in, I saw Saul Steinberg. To D’Artagnan’s left is a Joseph Cornell. There’s a John Currin (hot) and a Basquiat and a Miro and an R. Crumb. I just can’t stop smiling at the thought of D’Artagnan safe in that company.

Thanks for the news, Mary!

Clamorous News from New York

Friday, March 28th, 2008

A wonderful surprise, ever so often. That’s really what keeps us going, and luckily, the mad ICBIE dream has been sustained by fortuitous luck, which always seems to arrive in the proper, albeit often crucial, moment.

Today’s thunderbolt came from our dear friend Kerry, whose KS Art gallery has managed D’Artagnan’s paintings since 2003.  A D’Artagnan work is now hanging in public display at the Museum of Modern Art!  A new exhibition, ‘Glossolalia: Languages of Drawing,’ organized by Connie Butler (Chief Curator of Drawings for the Robert Lehman Foundation), has opened in the galleries of the museum’s drawing department, and it includes D’Artagnan’s TETRADACTILUS, one of the four works that the MOMA purchased in 2003.

Here is the link to the MOMA website: http://www.moma.org/exhibitions/exhibitions.php?id=7823

Ele D’Artagnan inspired the whole ICBIE dream, and his deliriously beautiful art continues to provide us with a banquet of hope.

Flying Alitalia? At Least You Can Read About the ICBIE!

Monday, January 21st, 2008

One of the clearest indications of an excruciatingly boring flight is when you are so desperate that you read the in-flight magazine, where all the stories of exotic travel and adventures only make your trip to the Midwest seem more mundane. For that very reason, you can’t help envying the travelers whose fate landed them on an Alitalia plane, because that beleaguered carrier has brilliantly compensated for its chronic flight delays, lost luggage, and poor service by including a brilliant full-page article about the ICBIE in its on board magazine!

Written by Piero Faltoni, the story is entitled, “To Salvador de Bahia, Solidarity and a Vacation,” and it recounts the whole ICBIE story, from D’Artagnan’s paintings to the founding of the Institute, the academic program, the Da Vinci Library, and the collaborations in the neighborhood, including the Minha vò Flor orphanage. It closes with a paragraph dedicated to the dream of restoring the old hydroplane base at the tip of the Ribeira peninsula, where Italo Balbo completed his historic 1930 transatlantic flight, and transforming the site into a museum.

Alitalia, as a company, is in terrible shape (and how could it be otherwise, when its name is an acronym for “Always Late In Take-off, Always Late In Arrival”), but we have to thank them for a sweet article!

Alitalia Magazine Logo

Alitalia Magazine ICBIE article

An Official Visit from the Mayor

Monday, December 31st, 2007

Pietro & Salvador Mayor João Henrique

The previous post bragged about exciting contacts with important people, and among them, the mayor of Salvador João Henrique, who has received us several times in his office at City Hall.  Little did I know that, more or less at the same time that I was writing the article, the mayor and several city councilmen were making an official visit to the ICBIE!

As soon as Pietro found out about this, he quickly organized a meeting with all the city’s street artists who participate in the Salvador Graffita project, to make the event into a big end-of-year cultural summit, with more than forty people attending, including two famous local artists, Leonel Mattos and Paranaguà.  Speaking to the assembled group, the mayor offered his formal thanks for ICBIE’s support of Salvador Graffita, and especially, for our help in organizing the tour to Italy of Julio and Bigode.  He also expressed his gratitude to the ICBIE’s Italian team, for their wonderful help and, in particular, for organizing the visit of the two city councilmen, including our friend Tucanaré, who was present at the meeting.

Writers’ Meeting 2Salvador graffita artist and the Mayor

Writer’s MeetingThe Mayor and Julio

After the art caucus, Mr. Henrique remained, as he wanted to meet all the people on our team.  He chatted candidly with Marlene, with Lu, with our sweet and ever-present student Mito, and with all of Julio’s young ICBIE artists.   Then Pietro took him on a leisurely tour of the grounds, lingering in our empty theater space, where he told the mayor about our progress in the plans to build a proper building, including the exciting prospects with the Engineers Without Borders, whose central office has approved our project.  In the course of the conversation, the mayor inquired about how much assistance we receive from the Italian government, and was flabbergasted to learn that the ICBIE has received no institutional support whatsoever.   He asked how we were able to achieve such an effective and dynamic institute, all on our own, and Pietro then told him the whole story, of D’Artagnan and his paintings, of our personal sacrifices, putting our life savings into the building of the ICBIE dream, and of the donations of groups of friends and of schools in Italy, all done in the name of social solidarity, to help the young people of the Cidade baixa.

The mayor, overwhelmed with emotion, was moved nearly to tears, and he left the ICBIE, rubbing his eyes.

Pietro & Mayor Theater Space

In closing, as a New Year’s greeting, here’s a photo taken in a New York City bar, sent to me by our nostalgic and ever-faithful supporter, Mary Norris!   Saúde!!!

Cachaca Sign

Roy Zimmerman